A POCKET HISTORY OF WISHBONE ASH
By: STEVE UPTON
December 1985
Boarding a flight out of India can be as eventful as the stay itself.
This departure was no exception. The check-in area was full of people
desperate to get their worldly possessions on board the plane, but
trying to get from that area into the departure lounge was a fight.
Six people wide squeezing through a one person hole. At first we thought
it was a joke and someone would control the flow to get to the planes,
but that was not to be and so we joined in the fight or miss the flight.
Four hours late and we eventually were airborne. Our high spirits were
to be short lived. We refueled at one of the Persian Gulf states and took
off at dusk, fully laden ready for the next leg of the journey. We were
heading due West into fading ball of sun when I noticed the sun was to
the right of the plane, indicating that we were southbound. A short time
earlier I had felt what I thought was turbulence. The Captain then came
on the P.A. system and explained that he had shut down one engine and was
dumping fuel to prepare for an unscheduled stop at Kuwait. We arrived at
midnight and were told we had to stay on the plane while they inspected
the engine. Eventually, the flight crew left the plane for a hotel, leaving
us to the mercy of Immigration. When we were finally allowed off the plane,
the Arab guards took all passports and treated us like hostages, separating
the women and children from the men. After several hours of there posturing
and intimidation's, we were allowed to be driven into the desert where we
were confronted by the biggest, most elaborate Holiday Inn we had ever seen.
The next day we boarded another plane, which had sent from India to
take us home.
30 December 1985
Laurie Wisefield telephoned to say he had quite the band. It was not a
surprise of him leaving but the surprise of him finally doing it. He had
acted in a very negative way for a long period up to that phone call.
Laurie joins Tina Turner.
1 January 1986
Jamie Crompton (Susie Quatro) takes over for Laurie on guitar. We spend
a few days rehearsing before our forthcoming tour.
7 January 1986
Played first date with new line-up in Southern Germany.
25 January 1986
Played last night in Stockholm, Sweden. It was also the last gig that
Mervyn Spence played with Wishbone Ash. After our show we went to a famous
disco, which is in the old opera house, still complete with classic
paintings on the walls and ceilings. There we met up with our long lost
buddy Ian Copeland, another chance meeting of the unexpected.
February - March 1986
Rehearsals with Andy Pyle (Savoy Brown, Rod Stewart, Kinks).
17 March 1986
Flew to America to start tour. Arrived in New York, drove to Philadelphia
and played gig in the evening. The best way to launch new musicians,
in at the deep end.
14 May 1986
Flew back to U.K.
May / December 1986
Writing, recording and doing one-off gigs in Europe.
12 December 1986
Flew to East Berlin and traveled by road to Leipzig for TV show. Our first
for East Germany.
January 1987
Miles Copeland telephoned late one night to put forward his idea that we
get together the original band to make an instrumental album. He spoke to
all of us independently and we agreed to get involved in the project later
on in the year.
26 March - 2nd May 1987
U.S. Tour.
11 May 1987
Started working together again with Martin Turner at his studio in London.
24 May 1987
We Decided to go to South Africa based on being told that we would be
playing to a 50/50 multi-racial audience, the promoters were black and
ticket prices were low. The reality was not as expected. We were due to
play a further gig in Cape Town after Sun City, but, after a band meeting,
we decided not to continue our tour and return to England. On our return we
wrote to the United Nations expressing our sincere regret at playing
South Africa and that we had no intention of returning under the regime that
existed then. A reply from the U.N. thanked us for our views and support of
the anti-apartheid cause.
1st June 1987
Flew back to London
July 1987
Started recording "Nouveau Calls", our first instrumental album with the
original band, for Miles "No Speak" series. The return of the original band
working together was a very poignant time. There we were, Ted, Martin, Andy
and myself all sitting together in a studio. We all looked pretty much the
same as we did fifteen years earlier - just a few more wrinkles and a little
less hair. We all had traveled different paths and our experiences had
forged much stronger characters than we were boys. Not just musically,
but now we were men and had our own formulated ideas. It was fascinating
seeing how we had all developed, both as people and musicians! The latter
point, however, was like putting on a well worn glove - it fit perfectly!